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Product No.:19083/S
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Aerosmith Toys in the Attic GOLD CD Mastersound SBM Longbox US Import von 1992

Erscheinungsdatum: 1992
Label: Epc (Sony) Nr. CK 52857

Trackliste

1. Toys In The Attic (3:07)
2. Uncle Salty (4:10)
3. Adam's Apple (4:33)
4. Walk This Way (3:41)
5. Big Ten Inch Record (2:14)
6. Sweet Emotion (4:34)
7. No More No More (4:34)
8. Round And Round (5:03)
9. You See Me Crying (5:11)

Produktbeschreibungen

Ursprünglich im Jahre 1975 erschienen, war diese Aufnahme für den Durchbruch von Aerosmith verantwortlich. Hörer, die nur mit dem aktuelleren Material aus der Phase nach dem Comeback der Band vertraut sind, werden vielleicht überrascht sein; wie ihre anderen Alben aus den 70ern, hat Toys in the Attic einen starken Blueseinfluß, der in ihrer Coverversion von "Big Ten Inch Record" zutage tritt und zeigt, daß es Aerosmith noch nie an Anzüglichkeiten und Zweideutigkeiten gemangelt hat. Auf diesem Werk befinden sich auch die Original-(prä-Run-D.M.C.)Version von "Walk This Way" und der Klassiker "Sweet Emotion". Es handelt sich um klassisches, grobes, rauhes, erdiges Aerosmithmaterial erster Güte; es mag teilweise abgekupfert sein, aber das interessiert keinen, damals wie heute: es kommt mit einem Heidenspaß rüber. --Genevieve Williams

Review by Stephen Thomas Erlewine
After nearly getting off the ground with Get Your Wings, Aerosmith finally perfected their mix of Stonesy raunch and Zeppelin-esque riffing with their third album, Toys in the Attic. The success of the album derives from a combination of an increased sense of songwriting skills and purpose. Not only does Joe Perry turn out indelible riffs like "Walk This Way," "Toys in the Attic," and "Sweet Emotion," but Steven Tyler has fully embraced sleaziness as his artistic muse. Taking his cue from the old dirty blues "Big Ten Inch Record," Tyler writes with a gleeful impishness about sex throughout Toys in the Attic, whether it's the teenage heavy petting of "Walk This Way," the promiscuous "Sweet Emotion," or the double-entendres of "Uncle Salty" and "Adam's Apple." The rest of Aerosmith, led by Perry's dirty, exaggerated riffing, provide an appropriately greasy backing. Before Toys in the Attic, no other hard rock band sounded like this. Sure, Aerosmith cribbed heavily from the records of the Rolling Stones, New York Dolls, and Led Zeppelin, but they didn't have any of the menace of their influences, nor any of their mystique. Aerosmith was a gritty, street-wise hard rock band who played their blues as blooze and were in it for a good time; Toys in the Attic crystallizes that attitude.

Condition: E: EXCELLENT

"Item Condition" notes:

SS / OVP:       CD & LP is factory sealed in shrink-wrap or cellophane.

NEU / NEW:      CD & LP is open and not yet played.(Achtung: = Nicht alle neuen CDs werden vom Hersteller eingeschweißt!)

NM: NEAR MINT   CD & LP Just about in perfect condition.

E: EXCELLENT   CD & LP Near perfect, may show very light signs of use & maybe one very light scratch.

VG: VERY GOOD   CD & LP CD has some very minor wear (several very light scratches or marks). If insert, may have dimple marks or very light wrinkles/folds,

G: GOOD        CD & LP Some to very heavier wear or tear (some to very scratches throughout the CD), still plays perfectly. If insert, may have some wrinkles, folds, ripples, tears or multiple case. If case has cracked or is broken.

Demo-Copy:      CD & LP = Promo - not for sale - particularly rare!!