Lightnin Hopkins,Sonny Terry & Brownie McGhee Blues Hoot DCC GOLD CD NEU OVP Sealed GZS-1081 ohne Pappumhüllung(Slipecase)

Produktinformation


Audio CD (1. August 1995)
Anzahl Disks/Tonträger: 1
Format: Gold CD
Label: Dcc 

       Tracks

1. Introduction To Big Car Blues (4:00)
2. Big Car Blues (3:15)
3. Coffee House Blues (2:17)
4. Stool Pigeon Blues (3:17)
5. Ball Of Twine (3:35)
6. Blues For Gamblers (6:59)
7. Right On That Shore (2:51)
8. Early Morning Blues (5:21)
9. Walk On (3:13)
10. Blues For The Lowlands (4:49)
11. Down By The Riverside (3:19)
12. Blowin' The Fuses (6:09)
13. Po' Boy (2:46)
14. I'm A Stranger Here (4:13)
15. Trouble In Mind (3:25)


Produktbeschreibungen

Stereoplay
Nicht wegen der Gitarristen Lightnin' Hopkins und Brownie McGhee, wohl aber wegen Sonny Terry und seiner Mundharmonika hat sich das Aufspüren der Original-Masterbänder von "Blues Hoot" für einen Goldtaler gelohnt.
© Stereoplay

Review by Bruce Eder
Lightnin' Hopkins is the star of this live recording, made at an August 1961 concert at the Ash Grove in Hollywood featuring Hopkins, Sonny Terry and Brownie McGhee (with Big Joe Williams sitting in on three numbers). It isn't remotely unique, joining a long list of club recordings by all three, although the original LP (on the Davon and Horizon labels) was obscure enough that collectors may welcome this CD. The sound is excellent, and the original master tape has yielded one extra Terry/McGhee track ("Po' Boy") and one extra Hopkins/Terry/McGhee song ("Early Morning Blues") from the same show—the producers have also added on two more songs ("I'm A Stranger Here," "Trouble In Mind") from an L.A. Troubador show by Terry and McGhee, bringing the running time up to 60 minutes. The sound is excellent, the performances are spirited enough, and the addition of the ominous "Early Morning Blues" shifts the record more toward blues than the folk/hootenanny orientation of the released Hopkins/Terry/McGhee tracks. "Blues For the Lowlands" is the best of the Terry/McGhee tracks, beautifully showcasing their harmonica/guitar interplay. It is difficult to say, however, anything distinguishes this set from the other folk club recordings that Hopkins, Terry and McGhee left behind on other labels.